The Knotwork Band

The Knotwork Band is a professional Celtic folk music trio with its roots in Central Pennsylvania.
We perform traditional folk music, covers of well known songs in the genre, and our own original compositions.

Victoria Visceglia shines on silver flute, wooden whistles and vocals.

Wicky Barnes Jr. provides consummate guitar, bodhrán, and backing vocals.

Tommy Kochel rounds it out with everything from wooden flute, piccolo, and high & low whistles to mandolins and cittern, bodhráns and bones, Northumbrian smallpipes, and hurdy gurdy, as well as lead & harmony vocals and song- and tune-writing.

The Knotwork Band:
Celtic folk music and related music from
the British Isles, Scandinavia, continental Europe, and North America
Top Shelf Folk Music -- performed with style.

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Wicky Barnes Jr. (with guitar)
Victoria Visceglia (with silver flute)
Tommy Kochel (with cittern)
[Photo by Nancy Pearce]

The Knotwork Band

     Celtic knotwork is an art form particular to the ancient peoples of Ireland and Scotland (highly influenced by the vikings) wherein cords or lines are woven into intricate patterns and highly stylized designs.  Like Celtic knotwork, our music is an intricate whole formed by simple individual lines.  In The Knotwork Band, the talents of the band members are interwoven to form each piece of music.

     The Knotwork Band performs Celtic folk music from Ireland, Scotland, England, and Brittany, as well as American and World music with ties to Celtic folk music, either musically or historically.  The wide spectrum of musical styles (ranging from beautiful airs and waltzes to exciting jigs and reels) and the variety of instrumentation (silver flute, high and low whistles, wooden flute, wooden piccolo, guitar, resophonic mandolin, hardanger mandolin, banjo mandolin, cittern, bodhráns, bones, vocals - and hurdy gurdy as well as Northumbrian smallpipes in the near future) make The Knotwork Band at home performing at all venues imaginable.

The Knotwork Band at the McLain Celtic Festival [photos by Nancy Pearce]

Meet the Members of
The Knotwork Band

Victoria Visceglia:
• silver flute
• wooden whistles
• vocals

     Victoria has played the flute since fifth grade and took private lessons from Ashley Steen, a teacher in Stroudsburg, and Linda Ganus, professor of flute at Lehigh University.

     She studied music education at Duquesne University in Pittsburgh, PA.  This required her to learn the basics of every typical school instrument.  Victoria continued her flute studies avidly, learning from Damian Bursill-Hall, former co-principal flute of the Pittsburgh Symphony Orchestra.  She played in Duquesne’s wind symphony, symphony orchestra, and flute choir.  Victoria also premiered several student compositions with ad hoc chamber groups.  In 2014, she played for Amy Porter in a masterclass.  During the summers of 2014 and 2015, she performed around Pittsburgh with the Triptych Piano Trio.

     After graduating summa cum laude, Victoria began her teaching career in York, PA, where she spent two years starting a music program at Helen Thackston Charter School.  While there, she played her flute in the Spring Garden Band and York College Community Orchestra.  Victoria is working towards her Master of Arts in Ethnomusicology at the University of Maryland, College Park, intending to graduate in the spring of 2019 with a thesis about the gospel choir at St. Augustine’s Catholic Church in Washington, D.C.  At UMD, she serves as a graduate teaching assistant and has performed with the university’s gamelan ensemble.  In addition to performing with the Knotwork Band, Victoria occasionally performs with cellist Nick Holland-Garcia at Central Pennsylvania churches.

Wicky Barnes Jr.:
• guitar
• bodhrán
• vocals 

     Wicky Barnes Jr. is a musician based out of York Pa.  He played the drums for most of his early career turning to guitar and bass in his late 20s.
    Wicky's musical endeavors are many.  Along with joining The Knotwork Band he currently performs in a duo accompanying a singer on guitar, plays in the classic rock band, "Strange Symmetry," and performs with a 50s - 60s era band, The Hipbreakers. 
     Wicky has recorded multiple CDs over the past few years available on CD Baby, Spotify and iTunes.  He loves playing different genres of music, but his real passion is performing live.

Tommy Kochel:
• wooden flute & piccolo and high & low whistles;
• cittern and Hardanger-, National resophonic-, & banjo-mandolins;
• bodhráns & bones;
• acoustic bass guitar;
• lead & harmony vocals;
• song- and tune-writing
(adding a smattering of hurdy gurdy and Northumbrian smallpipes in the near future)

     Tommy has been musical throughout his life.  He starred with his brother, Randy, in a Hempfield High School production of "Bye Bye Birdie" when in third grade and took part in many musicals thereafter.  He took the stage for the lead in "Amahl and the Night Visitors" in seventh grade.  He worked his way up through Regional chorus in high school while performing in the Lancaster Opera Workshop's "Die Fledermaus."  

     However, Tommy’s life with Celtic folk music began in 1987 in Ireland.  Watching session players in pubs play the bodhrán was fascinating.  When he returned to his senior year of college, he was exposed to the music of Silly Wizard and Andy M. Stewart, and managed to catch Silly Wizard on their final world tour.

     From 1990 to 1992, he performed whistle, mandolin and vocals for two bands he founded: Celtic Chaos and Greengrass Harvest.  He studied guitar under Ged Foley and performed with Ged and with his band, The House Band, on several occasions.  Tommy then became the bodhránist for Ged’s ceilídh dance band, The Deadbeats.  He has appeared on stage as a guest percussionist with Norwegian ex-patriot Lief Sorbye’s Celtic rock band, Tempest, in California and recorded with brother Randy’s Crofter’s Heir in Central Pennsylvania.  During his six years living in Northern California, Tommy formed The Knotwork Band, which quickly became the area’s most sought after Celtic folk music act.

     In addition to the wide variety of instruments he plays, Tommy is a trained linguist, and his love of the Irish and Scottish cultures tends to reveal itself when he sings or banters with the audience.  He began playing the Northumbrian smallpipes not long ago - a sound he loved early on from the music of The House Band.  He picked up an interest in playing the hurdy gurdy through listening to Scandinavian folk revival groups like Hedningarna and Hurdy Gurdy.  His current study of the pipes and the gurdy will result in the addition of those distinctive sounds to the band’s audio catalog in the near future.  

     In addition to handling the business end of the band, Tommy arranges the settings of the music and writes original Celtic folk songs and tunes.  He currently has nine songs and tunes copyrighted, several of which are currently in the band's canon.  He has taught bodhrán, bones, and whistle in Central Pennsylvania.  In the past, Tommy has performed with Central Pennsylvania’s Bill Stine (in Gladly Playe) and Jamie O’Brien and Bruce Young (in Semanon), as well as his brother's band, Crofter's Heir.  Tommy is a Professor of English as a Second Language at Harrisburg Area Community College.

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